Merry Christmas everybody!
Now in theaters:
“Why can’t
Hollywood make something original?”
This is one of the more common
complaints about the movies; you hear it most often when a remake, or “reboot,”
of a classic film or a familiar TV show is announced. The short answer is, of
course, why should Hollywood start now? But another answer is that every once
in a while, for better or worse, Hollywood does make something original. And
the new animated comedy Spies in Disguise
is an example.
At least I think it is. I’ve
never heard of another spy adventure in which the super-cool hero gets
transformed into a pigeon.
Suave, wisecracking super-spy
Lance Sterling (voiced by Will Smith, essentially reprising his Men in Black role) is the bigshot star
operative of a secret intelligence agency headquartered under the reflecting
pool in D.C. He’s a pure, unflappable, unstoppable winner, who insists he only
flies solo, until he runs afoul of a glowering super-villain (Ben Mendelsohn)
with a robot hand, who tricks him out of a high-tech weapon and uses a
projection of Lance’s own face over his to frame him for the theft of the item.
Soon Lance is on the run, with an Internal Affairs team led by a relentless
agent (Rashida Jones) in pursuit.
He ends up with only one ally: A boyish young gadget inventor named Walter Dockett (Tom Holland). Walter is a
bit like “Q” in the Bond films, except that he’s just a kid, and he’s committed
to developing gadgets that are non-lethal, like grenades that explode into
clouds of glitter which form into images of sweet little kittens, thus
distracting the bad guys with the undeniable force of cuteness.
It need hardly be said, Walter's
gizmos are met with skepticism and disdain by the macho Lance. Nonetheless, he
and Walter, who has been fired the same day that Lance got in trouble, end up as
action-movie buddies and travel the word in search of the bad guy, after Lance
is inadvertently changed, by one of Walter’s inventions…into a pigeon.
That’s right, for much of the
film Lance is unhappily trapped in the form of a stereoscopically-eyed bluish
pigeon. Walter tries to sell Lance on the excellence of a pigeon as a secret
agent’s cover—they’re everywhere, after all, in cities all over the world, and
nobody pays any attention to them—but Lance, of course, is having none of it.
Wild action scenes ensue.
Spies in Disguise is
based on a 2009 short film by Lucas Martell with the much better title Pigeon: Impossible. It’s even sillier
than ‘60s-era spy spoofs like The Last of
the Secret Agents and Matchless.
But it works; there were belly laughs from both children and grown-ups all around
me in the theater throughout the screening I saw. And I may have contributed a
couple of them.
It’s also a visually snappy
film, with brilliant, intricately worked out slapstick gags and chases, and
characters—like the pigeons—that are funny just to look at. The voice cast
works well, with Karen Gillan and DJ Khaled adding amusing bits as the Internal
Affairs agent’s entourage. And there’s an unusually strong, funky soundtrack.
About all that limits Spies in Disguise are the same
obligatory elements that limit the vast majority of animated kid movies: the
misunderstood, orphaned misfit who must overcome adversity; the tough guy who
must learn to be part of a team. Despite the movie’s welcome and imaginative eccentricity,
this standard template can still be detected at its foundation. So, come to
think of it: Why can’t Hollywood make
something original?
