Showing posts with label IDINA MENZEL. Show all posts
Showing posts with label IDINA MENZEL. Show all posts

Friday, December 23, 2022

WHILE STREAMERS WATCHED THEIR FLICKS BY NIGHT...

Merry Christmas Eve Eve everybody! The Phoenix Film Critics Society...


...of which Your Humble Narrator is proud to be a founding member, recently announced our 2022 Award winners. As always, some of the winners--like Best Actor--reflect my voting, others don't, but there are a lot of movies worth seeing on the list.

A few other odds and ends...

Cash on Demand--Last week I was shown this 1961 gem I had never caught up with, a no-kidding Christmas movie from Hammer Films! It's available on DVD; I highly recommend. Peter Cushing plays a joyless bank manager, cold and critical toward his employees, who gets his Christmas Eve ruined when a suave bounder (Andre Morell) tells him that his cohorts are holding Cushing's wife and son hostage while he plunders the vault at the provincial branch. Cushing, unsurprisingly, is great--despicable at first, gradually shading into sympathy as his desperation rises--and Morell is sensational, in maybe the best role he ever had, as the sinister yet curiously charismatic thief.

Richard Vernon nicely leads the small ensemble that plays the branch employees. It's a gripping, imaginative caper, though of course it's just one more variation on the Scrooge story, with the robber serving as a felonious Ghost of Christmas Present.

Something From Tiffany's--Two guys, played by Ray Nicholson (Jack's kid) and Kendrick Sampson, buy jewelry at the title shop as Christmas presents for their respective lady friends (Zoey Deutsch and Shay Mitchell). One's a pair of earrings; the other's an engagement ring. A mishap mixes up the gift bags, and wackiness ensues. I was recently pointed toward this romcom, streaming on Prime. It's very undemanding, but it's inventive, Zoey Deutsch makes a sweet heroine and her costars, including the great Rose Abdoo as the Tiffany's clerk, are pleasant company. And it seems like it's a cut above most of the Hallmark Christmas movies.

American Murderer--A stalwart FBI man played by Ryan Phillippe searches for fugitive Jason David Brown, who was on the Ten Most Wanted List at the same time as Osama bin Laden and Whitey Bulger for killing an armored car guard here in Phoenix in November of 2004. As Phillippe talks to Brown's family and acquaintances we get his story in flashback (it's often different from what they're telling the agent). I'm late to the party on this true-crime drama released earlier this year, written and directed by Matthew Gentile and available on various streaming platforms. Don't let the poster fool you into dismissing this as a routine action flick; it's an absorbing feature debut for Gentile, a tense, believable piece of work, full of disturbing scenes that feel like something you'd witness as a passerby. Soap actor Tom Pelphrey plays Brown as a tightly-wound obsequious hustler, sort of a coked-up Eddie Haskell. Though he worms his way into the house and bed of his single-mom neighbor (Idina Menzel) and plays video games with her son, and though he can still get over on his own siblings, his Mom (Jacki Weaver) has long since recognized him for the callous creep he is. But even he isn't prepared for the psychic weight of murder, and Gentile gets across this internal horror impressively. It's worth checking out, maybe after Christmas.

Monday, September 6, 2021

A WHOLE NEW BALL GAME

Now playing in theaters and on Amazon Prime Video:

Cinderella--This is a "sassy" new musical version of the venerable yarn. Written and directed by Kay Cannon of the Pitch Perfect flicks, it takes place in a racially and ethnically diverse storybook kingdom, and our heroine (Camila Cabello) wants a career in fashion design more than she wants a boy. Indeed, the incognito Prince (Nicholas Galitzine) gets her to accept his invitation to the ball not by romantically sweeping her off her feet but by promising to introduce her to potential customers.

Neat idea, and while I'm not sure the retelling is as radical as the filmmakers think it is, there's plenty to enjoy, as well as some cringe-inducing moments. The score has a few original tunes, but is mostly comprised of familiar pop numbers; songs from Madonna to Queen to Earth, Wind and Fire to Salt-N-Pepa to Ed Sheeran, among others, get reinterpreted here by the likes of the potent Idina Menzel as the not-quite-completely-wicked Stepmother to Billy Porter as the "Fabulous Godmother" to Minnie Driver as the Prince's Mom. After his Mamma Mia! experience, Pierce Brosnan, as the Prince's stuffy Dad, is mercifully spared any serious singing.

Along with these vets, the youthful leads carry the picture with assurance; the Cuban Cabello has a lovely delicacy, and the stepsisters (Maddie Baillio and Charlotte Spencer) seem like rather fun company, really. And Galitzine manages not to be dull and featureless as the Prince, an achievement all by itself.

Make no mistake, this is a lot of belting in the American Idol manner, and the pushiness can get a little embarrassing at times. But this Cinderella, reportedly conceived by James Corden, who produced--and who plays one of the mice/footmen, with two other excellent Brits--has a tone of built-in self-mockery that takes the edge off this. Overall, the cheesy but irresistible exhilaration of its musical form is infectious.

Thursday, November 28, 2013

SNOW COUNTRY FOR COLD MEN

Happy Thanksgiving everybody!


On the long list of that for which I’m thankful—down the list a ways, I admit—is the good fortune to have grown up with Peabody’s Improbable History, one of the features on the marvelous Bullwinkle shows. Mr. Peabody remains one of my role models (unattainable, of course); a tiny Peabody stands on my desk staring at me as I type these words. How well the feature version of Mr. Peabody & Sherman, due out next year, will live up to the great original cartoons remains to be seen…


Now in theaters is Disney’s animated musical Frozen, “inspired” by Hans Christian Andersen’s The Snow Queen. It’s an origin story for Andersen’s title character, a young sovereign under a magical curse who can freeze things with her hands . It has an ice palace, trolls, fiords and other Norwegian motifs, but the story here concerns the tempestuous relationship between the Queen, Elsa, and her lonely, love-hungry younger sister Anna.

The filmmakers seem to be trying for a sort of junior league Wicked, however the score isn’t as memorable as some of the other Disney musicals. But it is, at least, superbly sung, especially by Wicked’s great Idina Menzel, as Elsa.

Its real crowd-pleasers, however, are its two sentient snowmen. First there’s sweet-natured Olaf, voiced by Josh Gad, who has the misfortune to crave “warm hugs.” Then there’s…

Monster-of-the-Week: …this week’s honoree, a pretty cool snow giant named "Marshmallow"...