TO BUST THOU SHALT RETURN

Happy National Ghostbusters Day!

No, really…at least Sony says it is. There’s a new Blu-ray edition, and they’re re-releasing the film throughout the country for a week, because—get ready for this…

…Ghostbusters is thirty years old this year.

Yes, you heard right. Ghostbusters is thirty. Freaking. Years Old.

So…

Monster-of-the-Week: …this week the nod goes to one of the oddest giant monsters of the movies, The Stay Puft Marshmallow Man from Ghostbusters’ climactic scenes, here seen visiting The Today Show on the occasion of Al Roker’s birthday...

He seems cheerful—perhaps somebody followed Bill Murray’s conciliatory strategy with regard to him: “He’s a sailor, he’s in New York; we get this guy laid we won’t have any trouble..."

HAROLD THE GREAT

RIP to Harold Ramis, passed on at 69, which is way too young.

A pretty solid argument can be made that, in his unassuming way, Ramis just sort of was popular American movie comedy from the late ‘70s until the advent of Judd Apatow—he wrote, co-wrote, directed, acted in, or some combination of the above, National Lampoon’s Animal House, Meatballs, Caddyshack, Stripes, National Lampoon’s Vacation, Ghostbusters, Ghostbusters II, Groundhog Day and the criminally underrated, hilarious but fiercely touching Stuart Saves His Family, the best movie ever adapted from a Saturday Night Live sketch. He had a couple of clunkers, sure, but his batting average was insanely high.

Also, he was for a while the head writer on SCTV, the second-greatest TV sketch comedy of all time (second only to Monty Python’s Flying Circus), even though he was American, not Canadian. As if all this weren’t humbling enough, he played one-scene roles in a couple of movies he didn’t write or direct, As Good As It Gets and Apatow’s Knocked Up, and added notes of warmth and sweetness both times. He was awesome and lovable and he’ll be enormously missed.