BOSS MITIGATION

Opening in the multiplexes this weekend:

Springsteen: Deliver Me from Nowhere--Exhausted after the 1982 tour for his album The River, Bruce Springsteen rented a house in Colt's Neck, New Jersey, and tried to figure out what to do next. Unsettled by his rapidly increasing stardom, he started strumming an acoustic guitar and writing downbeat songs about downtrodden, desperate working-class Americans. These would make up his 1982 release Nebraska, as well as his 1984 hit machine Born in the USA.

Scott Cooper's biopic, adapted from a 2023 book by Del Fuegos guitarist Warren Zanes, recounts this chapter from the life of "The Boss" (Jeremy Allen White, as an adult). The focus is narrowly on that brief but critical period in his development, but we also see him haunted by his past; his troubled childhood with his drunken, scary but not unloving Dad (Stephen Graham) and his anxious, loving Mom, played here by Gaby Hoffmann. How upsetting is it that Gaby Hoffmann is now old enough to play Mom roles?

Shot in fine, muted tones by Masanobu Takayanagi, it's a watchable, absorbing movie. Although we're shown Springsteen's wary, commitment-phobic relationship with a lovely (fictional) new girlfriend (Odessa Young), Cooper honestly tries to keep the focus on the vagaries of the creative process; how moping around, reading Flannery O'Connor and repeatedly watching Terrence Malick's Badlands can be essential to finding your voice.

But this behavior, however essential, can be a drag for the people around you, and that includes not only friends and family and lovers and co-workers but also the movie audience watching you. White is first-rate; exploding into life in the scenes in which he sings (blasphemy alert: I'm not sure I don't like White's singing better than Springsteen's), suggesting that performance may have been a form of therapy, even self-medication, for Springsteen. He's moving in his depressive mode, too, but there's no getting around it, the movie becomes a long dark night of the soul in these passages, and they make up a lot of screen time.

The best performance in Deliver Me from Nowhere is by Jeremy Strong as Springsteen manager Jon Landau. His hangdog manner is hilarious; every time his boss The Boss gives Landau more bad news, not only about what kind of album Nebraska is going to be but about how he wants it released--without press, a tour, or even Springsteen's picture on the sleeve--you see it register on Strong's sickened face. Then you see him stoically shake it off.

As depicted here, he's skeptical about the business wisdom of Springsteen's decisions, but he walks the walk when it comes to defending artistic integrity; his loyalty never wavers. He's the hero of the movie.

WILD ABOUT HARRY

Opening today at Harkins Shea:

Harry Chapin: When in Doubt, Do Something--Sometime in the late '70s, I saw Harry and Tom Chapin perform at the Warner Theatre in Erie, Pa, where I was working as an usher, and got to meet them after the show. I think I still have the souvenir program they autographed somewhere. What I remember most distinctly is that they both gave the two best handshakes I think I've ever received, perfectly firm but not viselike. I also remember it was one of the best concerts I've ever seen; it's stuck in my head far more vividly than many shows I saw decades later.

All this came back to me watching this documentary chronicle of Harry Chapin's hectic, too-short life. Directed by Rick Korn, it's an entirely straightforward account, covering his folkie youth with his brothers, his rise as a purveyor of "story songs," his turn into relentless activism against world hunger, the shock of his untimely death.

There are many tearjerking moments; also a funny centerpiece montage demonstrating the cultural footprint of his signature song "Cat's in the Cradle." The story is inspirational, and as with the Linda Ronstadt documentary, it's told against the background of that peerlessly dramatic and beautiful voice.

A REAL TEAMSTER PLAYER

Happy Friday everybody!

Check out my "Friday Flicks" column, online at Phoenix Magazine, this week featuring reviews of A Beautiful Day in the Neighborhood...

...and Martin Scorsese's The Irishman.

The Scorsese flick was of special interest to me, as my Dad was a Teamster, and had seen Jimmy Hoffa speak to his local (and was unimpressed, he said), but I was never able to get him to tell me where the body was.

RIP to Michael J. Pollard, passed on at 80. Out of his vast body of work, I have a favorite moment: When he remarks "You sure are good, Melvin" after Paul LeMat, who is driving, refuses his flask in Melvin and Howard.

Happy Thanksgiving week next week everybody!

For nearly twenty years, it’s been a Thanksgiving tradition in our house, once the massive portions of food have been ingested and we’ve collapsed on the couch, to watch the 2000 film What’s Cooking? It’s an ensemble piece, set on Thanksgiving in the Los Angeles neighborhood of Fairfax, which cuts between four families of different racial and ethnic backgrounds—Vietnamese, Hispanic, African-American and Jewish—as they prepare the big dinner and navigate family drama and revelations. Funny, sweet and poignant, the movie is at least as refreshing and meaningful now as it was when it was made.

What’s Cooking? was directed and co-written by Gurinder Chadha, a Kenyan-born Brit of Indian descent. Needless to say, cultural diversity is a recurrent theme in her work. This week another film directed by Chadha was released on video: Blinded by the Light...

...an exuberant coming-of-age comedy-drama-musical set in Luton, England.

Based on the youth of writer Sarfraz Manzoor, it’s the story of teenage boy, Javed (Viviek Kalra), in a traditional British-Pakistani family in the ‘80s who was inspired to a career as a writer through his enthusiasm for the lyrics of Bruce Springsteen. Despite the film’s modest budget, Springsteen allowed the filmmakers to use his music, and Chadha ingeniously turned the Jersey legend’s work into the soundtrack for a Brit adolescence.

I had the chance to chat with Chadha when she visited the Valley recently in connection with the release of Blinded by the Light, and she described the balancing act of her directorial approach:

“I’ve always worked with music a lot in my films; I love music. The challenge here was in making a film about a writer, and making that cinematic. But at the same time I had a big responsibility to Bruce, not only because he gave me carte blanche on his catalog, but also because all those songs mean something to him, and Bruce fans. So my challenge was to direct a movie where I used the music so that it stood up to what the intention was of the songs in the first place, so I didn’t disappoint Bruce, and didn’t disappoint Bruce fans. But at the same there are a lot of people who aren’t Bruce fans, so I had to make sure it wasn’t just about the music.”

Even though she was there to talk about Blinded by the Light, I couldn’t resist asking Chadha about the scene in What’s Cooking? that brings tears to my eyes every year, when we hear a nearly a cappella version of the Beach Boys song “Wouldn’t it Be Nice?”; in the movie’s context the lyrics take on an unexpectedly moving, emotional cultural resonance. Said Chadha:

“I found that version, and I really wanted to play it at the end of the movie. Everyone was like, it’s never going to happen. You’re not going to be able to afford a Beach Boys track. You’ll have to get permission from Brian Wilson…so I wrote him a letter, based on what my movie was about, what I was trying to do. I was trying to show different communities in L.A. Movies show people not getting on; I saw people getting on around me in L.A. It was my first time in L.A., and I saw that and I was struck by that. The letter went out as a fax, and everyone was like, you’d better have a Plan B, and blow me down, I think it was like an hour later, not even a day, we got a fax back saying sure, she can use it. It was incredible. It turned out he’s from L.A., and he really liked the sentiment.”

It seems like a Thanksgiving showbiz miracle, but the current Chadha project experienced a similar generosity; notes Chadha: “The way that Brian responded to my letter was similar to the way we got permission from Bruce on Blinded the Light.”

If you’re looking for a pleasant after-dinner Thanksgiving video double feature, What’s Cooking? and Blinded by the Light might just leave you thankful.