Other kids get wise to Victor’s revivifying technique and, dreams of science-fair glory in their eyes, try it on a dead turtle, rat, Sea Monkeys and other creatures. A “Weird Girl” even manages, inadvertently, to create a hybrid of her equally weird cat Mr. Whiskers with a bat. The results of all this weird science wreak riotous havoc on the town’s festival, and it raises an angry mob that chases Sparky toward the windmill on the hill…
Rendered in stop-motion and ravishing black-and-white, with a voice ensemble that includes Catherine O‘Hara, Martin Short, Martin Landau and Winona Ryder, all propelled by a splendid Danny Elfman score, this striking piece of movie craft is an homage, principally, to the Universal monster pictures, though it also carries references to everything from Gamera to The Birds to the Hammer films. Indeed, if the film has a fault it’s that it’s too dense and overstuffed with references, witty though they are, for its brief running time.
But the characterizations compensate for the feverish tone of Frankenweenie's parody. Victor has a beautifully long, gloomy face—a bit like a boy version of Burton, perhaps; he’s a junior filmmaker as well as a scientist—and his grief isn’t just a plot point. His parents are a bit generic, maybe by design, but the kids, the science teacher, Weird Girl and Mr. Whiskers, the monsters, the neighbor poodle with whom Sparky has a connection—all of them are vividly real beings.
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